What kind of telecaster does springsteen play

We have a good collection of stuff he has reportedly used and currently uses. If anyone can add to this, please post a comment. Click the gear images for more info and specs at Guitar Center and Amazon. Guitars Note: Bruce Springsteen has played a ton of different guitars. We'll try to give you a good feel for what he's played here, but aren't going to show them all.

Fender Stratocasters cherry red, white, natural, silver. Microphones - Audix OM Strings and picks - D'Addario Strings used on Springsteen's acoustic guitars. Not sure what gauges. Acoustic-Electric Guitars.

According to the Takamine website , which has an article on the Springsteen on Broadway performance:. Solid Body Electric Guitars. Flanger Effects Pedals. Steel-string Acoustic Guitars. The article reads, "One of the most deserving of Legendary Guitar status of any electric on the plan Semi-Hollowbody Electric Guitars.

Overdrive Effects Pedals. On this picture of the Boss' pedalboard, we can see a double Boss pedal on the right side above the Boss purple flanger. The light-gold colour, the 'rotary led' on the top and the 8 knobs make immediately thing of the RT Rotary Speaker Sound. Distortion Effects Pedals. It was a light instrument. I was playing something that was tilting more to soul music, and so I wanted a guitar that could handle the funk and that feeling.

As the story goes, it was originally owned by a record company and rigged with four pickups that could all be plugged into the sound board—giving session players the ability to earn four times what they typically would with four different versions of a guitar track.

Takamine, he reasoned, were building guitars for working professionals who needed portability and reliability in an amplified format. Bruce Springsteen was putting his Takamine guitars through their paces night after night during his marathon multi-hour performances.

Their guitars needed to be durable and, above all, reliable. For this reason, many Takamine guitars, particularly those aimed at working musicians, have laminate, rather than solid sides.

When I design guitars for the professional musician, in most cases I use laminate sides. These guitars had solid sitka spruce tops, the aforementioned laminate nato sides, and nato back. This guitar used the same sitka spruce top as its black sibling but featured maple back and sides. Like the EFC, its fretboard was rosewood. The P6N seems almost tailor-made for an artist like Bruce Springsteen. With its NEX body smaller than a dreadnought, but with a fuller sound than a parlor guitar and tone designed to complement the voice of a soul singer, it was the perfect guitar for Springsteen on Broadway.

The P6N has a solid spruce top, solid flamed maple back, and laminated maple sides. Its neck, too, is maple, to provide some sparkle to its tone and relieve some of its weight, while the fretboard is smooth ebony. It features a comfortable You can hear the P6N, and its Takamine-patented CoolTube preamp system, in all its glory, in the below video from Springsteen on Broadway.

Overall, this is easily one of the most iconic Bruce Springsteen guitars of all time. With Steel Mill, Springsteen cut his teeth on the hard-working Jersey bar circuit, honing his chops as a musician and performer. This Les Paul, with its distinctive finish or lack thereof , is likely a late Sixties model with its factory finish removed. The full-sized humbuckers and smaller headstock indicate that it was likely a Les Paul Standard, although some sources claim that this guitar was a mini humbucker-equipped Les Paul Deluxe, which would have been more price-appropriate for a young working musician.

If Springsteen was willing to change the finish on this guitar, re-routing its pickups would not have been a tall order. This Les Paul likely had a solid mahogany body with a maple cap and a mahogany neck. Its humbuckers would have been Gibson PAFs, assuming that they were the stock pickups that came with the guitar. The Les Paul was redesigned in the early s to help the flailing Norlin company, which had purchased the brand in , save money. These features included multi-piece bodies rather than solid ones, larger headstocks, maple necks, and the polarizing mini-humbuckers.

In a appearance at the Asbury Park Music and Film Fest , he played a reissue of the Les Paul Standard with a gorgeous flame maple top, likely a 58 or 59 reissue. Bruce Springsteen historically has adopted a very different live sound from many of his arena-rock contemporaries. Typically, he relies on the twang and rumble of Fender-style amplifiers over the roar of a Marshall stack, despite the earth-quaking volume with which Springsteen tends to serenade the masses.

Accordingly, Springsteen frequently travels with spare amplifiers, rarely using a single amp for performance.