Jackson pollock is what kind of artist

Drips are still evident, now creating a web that floats above the chasm. Pollock was clearly looking for a new approach, an image to create, desperate to break away from his signature style, yet his last paintings represent neither a new beginning nor a conclusion. Content compiled and written by Ashley Remer. Edited and published by The Art Story Contributors. The Art Story. Abstract Expressionism. Technique is just a means of arriving at a statement. It's only after a get acquainted period that I see what I've been about.

I've no fears about making changes for the painting has a life of its own. I try to let it come through. Cezanne did it, Picasso did it with Cubism. Then Pollock did it. He busted our idea of a picture all to hell. Summary of Jackson Pollock In its edition of August 8 th , , Life magazine ran a feature article about Jackson Pollock that bore this question in the headline: "Is he the greatest living painter in the United States? Read artistic legacy. Artwork Images. Influences on Artist. Pablo Picasso.

Thomas Hart Benton. Clement Greenberg. Robert Motherwell. Mark Rothko. Barnett Newman. Willem de Kooning. Mexican Muralism. American Regionalism. Native American Art. Helen Frankenthaler. Robert Morris. Kenneth Noland. Franz Kline. Yves Klein. Lee Krasner. Philip Guston. Peggy Guggenheim. His father, LeRoy Pollock was a farmer and later a land surveyor for the government. Jackson Pollock grew up in Arizona and Chico, California.

During his early life, Pollock experienced Native American culture while on surveying trips with his father. Although he never admitted an intentional imitation or following of Native American art, Jackson Pollock did concede that any similarities were probably a result of his "early memories and enthusiasm.

During the early s, he worked in the Regionalist style, and was also influenced by Mexican muralist painter such as Diego Rivera , as well as by certain aspects of Surrealism - a 20th-century literary and artistic movement that attempts to express the workings of the subconscious by fantastic imagery and incongruous juxtaposition of the subject matter.

The exhibit led Pollock to recognize the expressive power of European modernism, which he had previously rejected in favor of American art. He began to forge a new style of semi-abstract totemic compositions, refined through obsessive reworking.

In the decades following World War II, a new artistic vanguard emerged, particularly in New York, that introduced radical new directions in art. The war and its aftermath were at the underpinnings of the movement that became known as Abstract Expressionism.

Jackson Pollock, among other Abstract Expressionists, anxiously aware of human irrationality and vulnerability, expressed their concerns in abstract art that chronicled the ardor and exigencies of modern life. By the mids, Jackson Pollock introduced his famous 'drip paintings', which represent one of the most original bodies of work of the century, and forever altered the course of American art. At times the new art forms could suggest the life-force in nature itself, at others they could evoke man's entrapment - in the body, in the anxious mind, and in the newly frightening modern world.

To produce in Jackson Pollock's 'action painting', most of his canvases were either set on the floor, or laid out against a wall, rather than being fixed to an easel. From there, Jackson Pollock used a style where he would allow the paint to drip from the paint can. Instead of using the traditional paintbrush, he would add depth to his images using knives, trowels, or sticks.

This form of painting, had similar ties to the Surreal movement, in that it had a direct relation to the artist's emotions, expression, and mood, and showcased their feeling behind the pieces they designed. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end.

In , he converted the barn to a private studio, where he continued to develop his "drip" technique, the paint literally flowing off of his tools and onto the canvases that he typically placed on the floor. In , Guggenheim turned Pollock over to Betty Parsons, who was not able to pay him a stipend but would give him money as his artwork sold.

Pollock's most famous paintings were made during this "drip period" between and He became wildly popular after being featured in a four-page spread, on August 8, , in Life magazine. The article asked of Pollock, "Is he the greatest living painter in the United States? Many other artists resented his fame, and some of his friends suddenly became competitors.

As his fame grew, some critics began calling Pollock a fraud, causing even him to question his own work. During this time he would often look to Krasner to determine which paintings were good, unable to make the differentiation himself.

In , Pollock's show at the Betty Parsons Gallery sold out, and he suddenly became the best-paid avant-garde painter in America. But fame was not good for Pollock, who, as a result of it, became dismissive of other artists, even his former teacher and mentor, Thomas Hart Benton.

Furthermore, acts of self-promotion made him feel like a phony, and he would sometimes give interviews in which his answers were scripted. When Hans Namuth, a documentary photographer, began producing a film of Pollock working, Pollock found it impossible to "perform" for the camera. Instead, he went back to drinking heavily.

Pollock's show at the Parsons gallery did not sell, though many of the paintings included, such as his Number 4, , are considered masterpieces today. It was during this time that Pollock began to consider symbolic titles misleading, and instead began using numbers and dates for each work he completed. Pollock's art also became darker in color. He abandoned the "drip" method and began painting in black and white, which proved unsuccessful.

Depressed and haunted, Pollock would frequently meet his friends at the nearby Cedar Bar, drinking until it closed and getting into violent fights. Concerned for Pollock's well-being, Krasner called on Pollock's mother to help. Her presence helped to stabilize Pollock, and he began to paint again. He completed his masterpiece, The Deep , during this period. But as the demand from collectors for Pollock's art grew, so too did the pressure he felt, and with it his alcoholism.

Overwhelmed with Pollock's needs, Krasner was also unable to work. Their marriage became troubled, and Pollock's health was failing. He started dating other women. By , he had quit painting, and his marriage was in shambles. Krasner reluctantly left for Paris to give Pollock space.